Saturday, November 27, 2010
still dark morning drive
still dark morning drive
There's something about the feel
of a still dark morning drive
when the houses sleep
and the moon travels beside you
on the black and golden river.
There's something about the journey
when the yellow and sharp blue
circles and slashes of the dash
reflect like cockpit lights
in the window by your shoulder
and on your own dark face, co-pilot
in the windshield straight ahead.
There's something about the solitary lights
of some fellow morning traveler
for whom you feel a sudden warmth,
two explorers setting out before the rest.
It can be two hundred miles or twenty, no matter.
It is the feel of going somewhere,
humming through the still dark morning,
sailing on the ribbon of road,
fueled by anticipation, thinking about nothing
except your travels toward a brand new, bright new day.
Sunday, November 21, 2010
UNSEEN
The Poetry Bus rolls again, and this week it's an enchanted trip with Chris Alba of Enchanted Oak at the wheel. Chris gives us the challenge of writing something about our lives. I don't even know where this stuff comes from, but this is what came to me:
UNSEEN
The surface of the pond is calm;
the deep green pool
reflects the trees that overhang it.
Beneath the surface
where sunlight barely reaches,
staying still among the reeds,
sifting breath through slits
that flap in time with the small
slick and pulsing heart,
a shiny thing among the weeds
watchful, waiting
unknown and unseen
by those who view
their own reflections
when they peer into the water.
UNSEEN
The surface of the pond is calm;
the deep green pool
reflects the trees that overhang it.
Beneath the surface
where sunlight barely reaches,
staying still among the reeds,
sifting breath through slits
that flap in time with the small
slick and pulsing heart,
a shiny thing among the weeds
watchful, waiting
unknown and unseen
by those who view
their own reflections
when they peer into the water.
Tuesday, November 16, 2010
MUSICA SACRA
MUSICA SACRA
notice how they rise
in concert
from the bare branches
black frocked choirboys
whose wings sing
sacred songs to Heaven
Friday, November 12, 2010
On The Road Again
And we're off! But before we hop aboard, you just have to join Willy while he wails about our trip! Take a look at this American icon if only to get a gander at Porter Wagonner's sparkly suit! Then ride with us on these bumpy roads less traveled.
Here we go...
The Bug
Poetikat
Muse Swings
Jeanne Iris
Dave King
altar ego
Jinksy
Helen
Rachel Fox
swiss
Stafford Ray
120 Socks
Liz
Carolina Linthead
Peter Goulding
Enchanted Oak
Totalfeckineejit (our fearless leader)
Weaver of Grass
Various
annell
Titus
Dick Jones
LAZARUS
Did you pull the cloths around you,
holding on for all you had?
Did you try to stop your ears
against the swarming in your head?
Did your bending knees creak
when they hit the cold stone slab?
Did your papery feet quell
when they stood upon that floor?
Did your eyes regret the light
that poured in through the vacant door?
Did you hide your irritation
at arising from your bed, or
Did your parched throat croak a plea
to simply let the dead be dead?
Here we go...
The Bug
Poetikat
Muse Swings
Jeanne Iris
Dave King
altar ego
Jinksy
Helen
Rachel Fox
swiss
Stafford Ray
120 Socks
Liz
Carolina Linthead
Peter Goulding
Enchanted Oak
Totalfeckineejit (our fearless leader)
Weaver of Grass
Various
annell
Titus
Dick Jones
And here's my ticket. Don't even ask...
LAZARUS
Did you pull the cloths around you,
holding on for all you had?
Did you try to stop your ears
against the swarming in your head?
Did your bending knees creak
when they hit the cold stone slab?
Did your papery feet quell
when they stood upon that floor?
Did your eyes regret the light
that poured in through the vacant door?
Did you hide your irritation
at arising from your bed, or
Did your parched throat croak a plea
to simply let the dead be dead?
Wednesday, November 10, 2010
Which Way Do We Go? Here Comes the Bus!
I'm driving the bus on November 15, and even using a trusty map, a GPS, and my innate sense of direction, I'm still idling here where two roads diverge. Which way do we go? Robert Frost says it makes all the difference.
The challenge for passengers this week will be to write about one of the following:
(1) a time you had to choose between two clearly divergent paths; (2) a time you were called to walk a path you didn't choose for yourself; or (3) a time you refused to travel the path you were called to follow. If these won't work for you, write anything about a choice you made. Drop me a note here when your poem is ready, and I'll link in the post above.
In the words of that great word person Yogi Berra, "When you come to a fork in the road, take it."
...or in the words of Robert Frost...
The challenge for passengers this week will be to write about one of the following:
(1) a time you had to choose between two clearly divergent paths; (2) a time you were called to walk a path you didn't choose for yourself; or (3) a time you refused to travel the path you were called to follow. If these won't work for you, write anything about a choice you made. Drop me a note here when your poem is ready, and I'll link in the post above.
In the words of that great word person Yogi Berra, "When you come to a fork in the road, take it."
...or in the words of Robert Frost...
THE ROAD NOT TAKEN
by Robert Frost
Sunday, November 7, 2010
this pearl
This week marks the first birthday of my sweet granddaughter, and today was the day of her baptism. For Juliet:
this day
this pearl
of water
and word
our blessing and our hope
the closest we can come
on earth
to heaven's
treasure
Matt 13:45,46 says, "Again, the Kingdom of Heaven is like a man who is a merchant seeking fine pearls, who having found one pearl of great price, he went and sold all that he had, and bought it."of water
and word
our blessing and our hope
the closest we can come
on earth
to heaven's
treasure
Tuesday, November 2, 2010
about a sunflower
ABOUT A SUNFLOWER
I am sitting tonight in front of the window
staring at the blackness staring back. A cozy scene:
a woman, seated at a worn wooden table, a bowl
of oranges and lemons in front of her, an arrangement
of cheerful plates on the wall behind, pen in hand,
her arm lying across a paper angled just so, big dark eyes
like holes in her face looking back from the glass.
All summer, I watched from this same seat
a sunflower, a tall hairy stem, pointy sepal arms,
hundreds of bumpy brown seeds, bursting
little teeth, little rows hoed in circles, a plinking
stone in a still brown pond,
bonneted, beribboned, turning this way
and that, reaching up a round child's face,
angling for her father, a heavy earthen mother,
finally falling beneath her weighty thoughts, beaten
by the rain, become a blinded skull, her eyes pecked out.
Examined from the ground up, imagined
from the sky down -- the worm's view, the crow's view,
in memory, the poet's view -- a blind reflection
in the glass tonight while the words can't find
where the woman fits in the scheme
of all these things.
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